he title is a nod to the trick of rolling back the tone control for the neck pickup and then feeding it into an amp with a good bit of overdrive. It creates rich and creamy tones when you get up into the higher notes.
You can hear my Martin DC Aura on rhythm. My Gibson Gary Moore signature Les Paul is swapping lead licks with a Behringer Poly D analog synth. A Rickenbacker 4003 bass is going through a Zoom B3 pedal set for the “TremoZep” patch. The drums were created with a BeatBuddy, as usual.
