An avant-garde track consisting of synthetic bird and wind sounds along with the ominous hums of possibly some other-world power transformer. Put on your headphones and listen as the sound waves paint sonic pictures in your mind.
Dueling arpeggiators. Kind of an experimental piece where I used a BeatBuddy’s midi output to keep a Moog Mavis with & NiftyKEYZ arpeggiator in sync with a Behringer Poly D’s arpeggiator. Some knob tweaks here and there. I had fun with this one!
A Moog Mavis in a NiftyKEYZ eurorack keyboard enclosure provides an evocative rhythm sequence and a Behringer Poly D provides the “pipe organ” lead. A BeatBuddy provides a pop drum track. This one was fun!
This is an original instrumental song I wrote and recorded way back in 2013. This version has a couple of added synth tracks (bass and an alternate lead). It features the Behringer Poly D (mini Moog clone) on the keyboard tracks. The guitar tracks feature my 2011 Fender American Deluxe Stratocaster.
A very chill piece, considering it has a Samba drum track. It features a Martin DC Aura on rhythm with a Moog Mavis analog synth providing an ethereal lead. A Rickenbacker 4003 provides the bass. Composed and recorded in one evening. Drums by BeatBuddy.
The title of this song comes from the fact that I used a tone on my Les Paul that was reminiscent of something between “American Woman” and “Outside Woman Blues.” Impromptu was added because, well, it isn’t a blues song and the leads were pretty much ad-lib.
A “feel good” instrumental with a driving bass line and several layers of Stratocaster, including a simulated vibraphone track. What’s not to like?
Two analog synth sequencers “covalently bonded” (via midi) and living in perfect symbiosis with a BeatBuddy funk drum track and a Fender Strat drenched in an Oceans 12 dual reverb. Everything was recorded direct into a Behringer mixer.
released March 27, 2024
Synth Sequencing: Joseph R. Ellis
Guitar: Joseph R. Ellis
Drums: BeatBuddy
©2024 Solid Body Publishing / ascap
